Max Comedy-Drama 'Rooster' Returns for Season 2 With Bill Lawrence at the Helm, Filming in Los Angeles This Summer

Season two of the Max comedy-drama series Rooster is gearing up for a Los Angeles production run beginning August 3, 2026, with a scheduled wrap of November 11, 2026, giving working professionals a clear and well-defined window to pursue opportunities on what looks to be a well-resourced, talent-driven production from Warner Bros. Television. The series is currently in development, meaning the hiring pipeline is still opening up, but with a firm start date confirmed more than six months out, department heads and experienced crew should be paying close attention right now.

At the creative center of Rooster is writer-producer Bill Lawrence, one of the most recognizable names in television comedy. Lawrence is the creator of Scrubs, the co-creator of Cougar Town, and perhaps most prominently in recent years, the co-creator and showrunner of Ted Lasso, the Apple TV Plus phenomenon that became one of the most beloved and awards-decorated comedies of the streaming era. His sensibility as a writer leans warm and character-driven, blending genuine emotional stakes with sharp, accessible humor. That tone is clearly present in the Rooster logline, which follows a successful but emotionally adrift novelist who inserts himself into his college-aged daughter's life following her breakup, only to discover that he may need saving more than she does. Joining Lawrence as a writer is Matt Tarses, a longtime collaborator who worked with Lawrence across multiple seasons of Scrubs and has a deep résumé in single-camera comedy. Crew familiar with the Ted Lasso or Scrubs sets will recognize the kind of collaborative, character-first production culture that tends to follow this team.

The producing team includes Jeff Ingold, Liza Katzer, and David Stassen. Ingold and Katzer are well-known as producers deeply embedded in the Lawrence creative universe, both having served as producers on Ted Lasso throughout its run, where they helped scale a modestly conceived comedy into a full-blown awards powerhouse. Their involvement here signals continuity of both creative vision and production infrastructure. Production companies attached include Doozer Productions, Lawrence's banner, and Carousel Productions, alongside Warner Bros. Television as studio. Doozer has been the vehicle behind Lawrence's most significant recent work, and its relationship with Warner Bros. Television is an established and productive one. The Warner Bros. Television banner carries well-earned credibility with crew as a professional, union-friendly operation with deep resources and institutional support.

Max, the WarnerMedia streaming platform, serves as the network home for Rooster, which is a meaningful signal about the production's budget tier and ambitions. Max has positioned itself in the comedy-drama space with a clear appetite for prestige-adjacent, character-driven stories, and its backing alongside Warner Bros. Television suggests this is not a shoestring operation. While episode counts for season two have not been publicly confirmed, a filming window running from early August through mid-November represents a robust production schedule, consistent with a single-camera half-hour or one-hour order in the range that Max typically supports for returning series.

The production will be based in Los Angeles, California, with Warner Bros. Studios in Burbank listed as a primary filming location. Shooting at the main Warner Bros. lot at 4000 Warner Blvd is a significant practical detail for local crew. The Burbank studio campus offers world-class stage facilities, standing sets, and production infrastructure, and it keeps the production firmly within the established Los Angeles production zone. For local crew, this is an encouraging signal, as the production is unlikely to require significant location shooting in remote areas and will likely draw heavily from the deep pool of experienced Los Angeles and Burbank-based talent. The combination of stage work on the Warner lot and practical location shooting throughout greater Los Angeles is a standard and comfortable configuration for a series of this type and scale, and it suggests strong opportunities across grip and electric, camera, art department, and locations.

A few crew details already in place are worth noting for those trying to assess where the hiring process stands. David Hyman is attached as Line Producer, a key signal that physical production infrastructure is beginning to take shape. Daniel Portnoy is listed as Production Manager and Jeffrey Gutkin as Production Supervisor, suggesting the production management layer is being assembled now. Cinematographer Blake McClure and First Assistant Director Courtney Rowe round out the confirmed below-the-line talent listed so far. On the casting side, the pairing of Emily Buntyn and Allison Jones is particularly notable. Allison Jones is one of the most respected casting directors in the comedy space, with credits spanning The Office, Parks and Recreation, Freaks and Geeks, and numerous other defining comedies of the past two decades. Her involvement in Rooster is a strong quality signal and a reliable indicator of the caliber of talent the series intends to attract.

With cameras scheduled to roll in just over six months and the production management team already coming together, Rooster season two is at the stage where department heads across art, costume, VFX, and sound are likely being approached. The full production listing on ProductionList.com includes contact details, office addresses, and the complete crew roster as it develops. If this is the kind of warm, well-produced, Lawrence-brand comedy-drama that fits your experience and creative interests, now is the right time to get your name in front of the right people. Bookmark the listing and check back regularly as the production moves from development into active pre-production over the coming months.

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